This response should add air and intelligibility, and when used as a drum mic, should also help give definition to transients. This will be a matter of preference and the application that you are using the condenser microphone for. Based around a newly developed large‑diaphragm capsule capable of tolerating SPLs up to 144dB (0.5 percent distortion), the TLM102 is suitable for use with loud instruments such as drums, brass instruments and guitar amplifiers, but it was conceived primarily as a vocal microphone, so it's no surprise to see a slight presence lift above 6kHz. However, there are some notable differences between the two that should be reviewed. When comparing this to other microphones such as the TLM 103 (450g) and the Rode NT2A (860g), it just highlights that the TLM 102 is extremely light. Addressing this microphone from an angle may take the edge off of some of the higher frequencies. The new TLM102 embodies everything we've come to expect from a large-diaphragm Neumann studio mic — except the price! Its sensitivity is somewhat greater (-33 dB as opposed to 102’s -39 dB), and reduced self-noise (7 dBA as opposed to 102’s 12 dBA). Q. Re: Why does Liam Gallagher's vocals sound shit? Though it looks superficially similar to other Neumann side‑address mics, it is significantly smaller than the likes of the U87. However, the thread will fit other Neumann‑compatible shockmounts. The most recent addition to this line, and the most affordable Neumann studio vocal mic yet, is the TLM102 reviewed here. Included Accessories: Stand Mount, Wood Box. I had the black model in for review, and thought it very stylish, and beautifully made. One Synth Challenge V - The Filter Strikes Back! You may login with either your assigned username or your e-mail address. Technical Specs Sensitivity and Self-Noise Neumann TLM 102 is a decent mic with good sensitivity and low self-noise. Sounds thicker. AKAI MPC 3000: The Best Drum Machine of All Time. It is a large-diaphragm, transformerless capacitor microphone with a fixed-cardioid polar pattern. First Look: Pro Tools | Carbon. What is making my 'kicksnare' mic distort? A standard 48V phantom power source is required. Re: One Synth Challenge V - The Filter Strikes Back! I'd certainly be happy to make this my go‑to vocal mic — unless I specifically needed something with a more overt character to suit a particular voice — and for those project-studio owners who want just a single decent mic that can tackle a variety of sources as well as vocals, this should prove a very practical choice. I was very pleasantly surprised, however, when I put the mic up in front of my guitar amp, just off‑axis: it came extremely close to giving me the sound I was hearing in the room, with all the jangle and bite of the amp but no harsh edges. TLM 102 capsule uses some of the same parts as the U89 and BCM series. The frequency range of the TLM102 extends from 20Hz to 20kHz (‑3dB) and is nominally flat up to 6kHz before that gentle presence rise kicks in. No storage case other than the cardboard box it comes in. A silver band below the basket and the red Neumann logo add a nice visual relief to the black basket and the satin-black body. For solo work you may have to experiment with the position a bit more to balance the highs and lows, but again, this isn't a problem. When it comes to the physical aspects of the TLM 102 mic, it weighs in at approximately 210g and is 12.6 cm in length and 5.2 cm in width. Another cost‑cutting measure is the lack of pad and filter switches, which makes it very much a 'no‑frills' design — but again, this doesn't impinge on the sound quality. The capsule, which looks to be a little under one inch in diameter, sits in an elastic suspension mount to help isolate it from case vibrations, while the grille incorporates a dense pop screen, obscuring the view of the capsule. 102 sounds flatter with more of a focus on midrange frequencies. If you are interested in contributing, email: Neumann TLM 102 vs Neumann TLM 103: Head-To-Head. Why Are Some A-B Stereo Arrays Angled Outwards? The new TLM102 embodies everything we've come to expect from a large-diaphragm Neumann studio mic — except the price! Spoken-word tests reveal a lot about studio microphones, and the TLM102 immediately sounded well‑balanced in this application, without me having applied any EQ. Expressed as a signal‑to‑noise ratio (A‑weighted relative to 94dB SPL), the figure is specified as 82dB. Q. The Audio Technica AT4033a is one possible contender, and offers similarly impressive results on guitar amps, but there are models worth consideration by manufacturers such as SE Electronics, Rode, Blue and many others at this price. The views expressed are those of the contributors and not necessarily those of the publishers. This can be done by unscrewing the chrome-plated ring around the middle of the mic. Mastering Essentials Part 4 - Mastering EQ: Balance, Don’t Match. I set up some relatively inexpensive (but nevertheless reputable) side‑address mics for comparison and found them to sound either slightly 'spongy' or a touch nasal by comparison. At this price, the TLM102 isn't going to be fighting it out with the armies of budget mics that seem to have flooded the market in recent years — but then it isn't unduly expensive either, especially for a Neumann. The TLM-103 has a self-noise level of a staggering 7dB (A). The effect of the presence lift is quite subtle, opening out the sound slightly, but at the same time the mids and lows seem perfectly integrated, creating a sense of clarity and closeness. While not the quietest microphone in the world (RODE NT-1A still takes the cake for its 5dB (A) self-noise rating), 7dB (A) is still remarkable. 103 has a larger diaphragm. While there are quieter mics of this type, this is still a reasonably low noise figure and should cause no problems in typical applications — most of which will involve either close or loud sound sources. The 5 Best Budget Microphones For Gaming & Streaming, The 10 Best Podcast Microphones For iPhone, Alesis Quadraverb: Everything You Need To Know. Why does Liam Gallagher's vocals sound shit? More on the high-end as far as condenser microphones go. The foam layer in the head grille can be removed for more clarity and transparency if desired. This may be Neumann's least expensive mic of this type, but there's nothing about the sound that says 'budget'. Both are built for use on the go and portable but also able to be more stationary in a studio setting. Neumann KH 120 vs Adam A7X: Which Is The Better Option For You? PreSonus StudioLive 32SC Series III Mixing Console. Further tests with hand percussion produced perfectly usable results, although there was less difference between the TLM102 and some of my budget standbys in this application. This is a whole 5 dB louder than the TLM-103. The 102 uses a diaphragm similar to the TLM 170 compared to the 103 using a diaphragm design more similar to the U87. Unlike some other established microphone manufacturers, Neumann have resisted the urge to produce cheaper models by building them in the Far East, but their TLM range does at least contain some mics that fall into the category of 'affordable' — and these are clearly aimed at the wider project‑studio market as well as professional studio and broadcast applications.