Want to learn flamenco guitar? It generally possesses a livelier, more gritty sound compared to the classical guitar. Montoya was the first to play solo flamenco guitar on stage, and Sabicas and Ricardo were the modern giants of the 40’s, 50’s and 60’s. Nevertheless, other types of wood may be used for the back and sides, like rosewood, maple, koa, satinwood and caviuna. The traditional flamenco guitar is made of Spanish cypress, sycamore, or rosewood for the back and sides, and spruce for the top. It’s amazing and virtuosic, but it definitely feels different. This (in the case of cypress and sycamore) accounts for its characteristic body color. Volume has traditionally been very important for flamenco guitarists, as they must be heard over the sound of the dancers’ nailed shoes. bulerias, soleas, etc.) music can reflect the zeitgeist that the player/composer swims/swam in. If you listen to Paco’s earliest recording he sounds like an even more virtuosic version of the players he had come up with – Sabicas and Niño Ricardo. I like the old school expression of flamenco. I prefer Mississippi Delta blues Learn how your comment data is processed. Because Flamenco is an improvisational musical form that uses common structures and chord sequences, the capo makes it easier for players who have never played together before to do so. Other stuff too, but mainly flamenco. In any great player you’ll find musical acknowledgment of the music that came before, whether it’s in the form of an homage or as an influence that might go unheard. Understanding Flamenco Guitar. I also believe that virtuoso players should play what speaks to them now. We don’t send out many newsletters, so stay in loop when we do! I must have realized that there was a huge difference between what they were playing and what Sabicas was playing (and I was trying to play). Also politics. During the early seventeenth century the guitar was an instrument of the people of Spain, but was widely played by the Italian aristocracy." Players use different posture, strumming patterns, and techniques. We don’t share your email and you can opt out anytime. It is an art form that originated in the Andalusia region of Spain, and incorporates music and dancing. Paddington Press Ltd 1977 p.24, José L. Romanillos "Antonio De Torres: Guitar Maker-His Life and Work" (1987, 1997), Picados are the flamenco scales of a guitar, or a guitar playing technique where the musician plays scale passages by alternating the index and middle fingers. Required fields are marked *. It is used in toque, the guitar-playing part of the art of flamenco. This isn’t to say that every contemporary guitarist has to sound like Paco. Flamenco guitars are built lighter with thinner tops than classical guitars, which produces a "brighter" and more percussive sound quality. I don’t mean swing in the jazz sense. Some jazz and Latin guitarists like this punchy tonality, and some players have even discovered that these guitars’ wide-ranging sound also works well for the contrapuntal voicings of Renaissance and Baroque music. Tirando: Pulling or plucking the strings – 'ordinary' plucking of the strings with index, middle and ring fingers when playing falsetas. Pro Play This Tab. Even swung notes are commonly mixed with straight notes, and golpes are employed with the compas of different types of rhythms (i.e. Guitars: From the Renaissance to Rock. Flamenco guitarists are known as tocaores (from an Andalusian pronunciation of tocadores, "players") and flamenco guitar technique is known as toque. You could absolutely argue that Sabicas swings, but the two styles just feel different. You could use typical open chords when playing in the style of flamenco, especially A minor and E major, which also are used as a cadence.